ACTING

The Course

🎯 WHO IS IT FOR? ✦ Aspiring actors and performers who want to acquire a versatile method to move with ease from theater to film. ✦ Acting students and professionals who want to perfect their vocal and body technique, and their character management in front of the camera. ✦ Anyone who wants to overcome shyness or barriers, using acting techniques as a tool for emotional release, personal growth, and freedom of expression. 📚 COURSE OUTLINE. 🎙️ Module 1: Voice, Body, and Interpretive Truth ✦ Presence and Breathing: Reconnecting vocal emission to the body and managing performance anxiety. ✦ Using the Body in Space: Developing motor control, organic gestures, and expressive rhythm. ✦ The Search for Truth: Abandoning "set acting" to access a natural, credible, and heartfelt interpretation. 🧠 Module 2: Emotional Unblocking and Expressive Freedom Listening and Impulse Response: Improvisation exercises to develop readiness and receptivity in the moment. Managing Emotions: Learning to tap into your sensitivity without fear of judgment. Creating a Safe Environment: A safe working environment in which to explore and overcome your limits. 🎭 Module 3: Acting and Stage Techniques ✦ Vocal Projection and Stage Presence: How to occupy the theatrical space and maintain high dramatic tension. ✦ Dramatic Action Analysis: Understanding intentions, obstacles, and stage dynamics in a theatrical text. ✦ Stage Partner Work: Building complicity, verbal-gestural rhythm, and mutual listening on stage. 🎬 Module 4: Acting for the Camera and Audiovisual Media ✦ The Camera's Microscope: Micro-expressive and subtraction techniques for cinematic language. ✦ Relationship with the Lens and Fields: Understanding how to modulate energy based on the shot (close-up, full-length). ✦ Emotional and Technical Continuity: Maintaining focus and intention across different shots and frame changes. 👤 Module 5: Character Creation and Impersonation ✦ Character Analysis: Building the biography, desires, weaknesses, and psychology of the theatrical or cinematic alter ego. ✦ Subtext: Discovering and performing "what is not said," bringing out the unsaid through gaze and action. ✦ From Writing to Stage: Testing the character with published or unpublished monologues and dialogues.